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And he lived long enough, too, to savor his renaissance.\" — Sound Quality = 92% - Ken Kessler, HiFi News, November 2016\u003c\/p\u003e\n\n\u003cp\u003eMississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.\u003c\/p\u003e\n\n\u003cp\u003eThe \"Father of the Delta Blues\" recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine — \"Essential recordings by one of the greatest bluesmen ever.\" And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. 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Original, charismatic, and immensely gifted, the guitarist\/vocalist (born Kevin Moore) brings country blues in the late 20th century on his stunning self-titled Epic debut, which quickly climbed the charts and turned the former backing instrumentalist into a household name. Replete with gritty textures, close-up vocals, and resplendent acoustics, Mobile Fidelity’s scintillating analog version of this 1994 set finally possesses the fidelity that brings Mo’s Delta strains out of the backwoods and onto a lively back porch.\u003c\/p\u003e\n\u003cp\u003eMastered from the original tapes, this numbered-edition 180g LP represents the very first time that Mo’s watershed album has been given a much-needed sonic facelift. Gone are the hazes that obscured his singing, artificial ceilings that blunted the highs, and digital fog that interfered with the multitude of illuminating tones, details, and notes. 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These songs plus ten more smokin’ sides are collected on Blue and Moody (1958), Reed’s one and only solo album. Long out of print, this LP has become a holy grail for blues and R\u0026amp;B enthusiasts, who routinely pay princely sums for the few copies in circulation. Once again, it’s Sundazed to the rescue! Painstakingly mastered from the original analog session tapes and pressed at R.T.I., Sundazed presents this extremely rare LP on pristine 180-gram vinyl. TRACK LISTING: WATCH DOG • I'LL DROWN IN MY TEARS • GOING BACK TO MEXICO • THREE MEN • SAMPLE MAN • LAST NIGHT • ROCK LOVE • LET'S CALL IT A DAY • BUMP ON A LOG • MY POOR HEART • EVERY SECOND • JEALOUS LOVE\u003c\/span\u003e\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":39373362200782,"sku":"090771542816","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_d921b61f-62f6-4464-90cf-938ce51eeb78.jpg?v=1617409345"},{"product_id":"t-model-ford-bad-man-lp","title":"T-Model Ford - Bad Man - LP","description":"","brand":"Alliance","offers":[{"title":"Default Title","offer_id":39373362233550,"sku":"045778036318","price":18.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_70c3a7c8-0f6e-4c52-b9ba-8648bb95026a.jpg?v=1617409348"},{"product_id":"t-model-ford-pee-wee-get-my-gun-lp","title":"T-Model Ford - Pee Wee Get My Gun - LP","description":"","brand":"Alliance","offers":[{"title":"Default Title","offer_id":39373362266318,"sku":"045778030316","price":17.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_c58e13c2-5763-4ee0-8ca7-fa61d7dad3ec.jpg?v=1646792867"},{"product_id":"big-joe-turner-boss-of-the-blues-pure-pleasure-lp","title":"Big Joe Turner - Boss of the Blues - Pure Pleasure LP","description":"\u003cp\u003eBesides helping to invent rock 'n roll with his hit \"Shake, Rattle and Roll,\" Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano styling's of the great Pete Johnson with a jazzy jumpin' horn section. Boss Of The Blues is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions.\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Default Title","offer_id":39373362331854,"sku":"5060149622209","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_fc46f75c-3f05-4c18-954c-645e4d02cced.jpg?v=1646792868"},{"product_id":"wild-child-butler-wild-child-butler-analog-productions-lp","title":"Wild Child Butler - Wild Child Butler - Analogue Productions LP","description":"\u003cp\u003eFrom all accounts, George Butler came by his nickname Wild Child honestly. On Sundays, some of the older ladies would come to the shack where he lived to visit his mother. Even as a toddler, little George would grab their legs and tug their skirts. The ladies would tell his mother that she had to \"do something about that wild child,\" and the name stuck. Fortunately, he found time between the youthful shenanigans to learn some harp basics at age 12. He was gigging professionally as a bandleader by the late 1950s, but the harpist didn't have much luck in the recording wars until he moved to Chicago in 1966 and signed with Shreveport, La., based Jewel Records.\u003c\/p\u003e\n\n\u003cp\u003eWild Child's resume is top notch. He has toured with Jimmy Rogers, Lightnin' Hopkins, Cousin Joe and Roosevelt Sykes. His biggest influence is John Lee Sonny Boy Williamson and yet his sound is all his own. A prolific songwriter, Wild Child Butler performs mostly original compositions. George Butler is one of the most stylistically interesting and underrated blues performers in the business today.\u003c\/p\u003e\n\n\u003cp\u003eIn this, an era when Blues is so frequently fused with rock, soul and other more commercially viable music forms, Wild Child stands his artistic ground. Wild Child still plays and sings his blues in exactly the same authentic style that he developed and learned from his rural Alabama sharecropping mentors more than 40 years ago. When asked if he would change his style to be more commercially successful, Wild Child's didn't hesitate. \"No I would not! Record companies have asked me to do that before. I wouldn't do it then, and I wouldn't do it now, just to sell more records. The way I do my blues, that's me! The blues isn't just something that I do, it's something that I am.\"\u003c\/p\u003e\n\n\u003cp\u003eGeorge is polite but firm with his audiences. In fact, when you meet George Butler, one finds him to be a pleasant, highly personable man with a ready smile as big as an Alabama cotton field, and in no way keeping with the image conjured up by the name Wild Child. He was asked \"Why in spite of all the hard times and bad luck, do you still keep going?\" He replied with an audible grin, \"The blues is the facts of life, the truth, and the blues is what I'm about.\"\u003c\/p\u003e\n\n\u003cp\u003eIndifferent agents, unethical record companies, insensitive audiences and the tough life on the road have not squelched the blues fire in Wild Child Butler. The swamp-harp king is one authentic original folk blues artist who can, in his own words, \"Sho' 'nuff make the blues come down.\" Side A is Wild Child and his electric band. Side B is acoustic with Jimmy D. Lane accompanying on guitar. 6 songs.\u003c\/p\u003e\n\n\n\n\t\u003cp\u003e1. Weak In The Knees\u003cbr\u003e\n\t2. Treat Me Like I Treat You\u003cbr\u003e\n\t3. 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Arthur’s acoustic harp work is the showstopper.\u003c\/p\u003e\n\n\u003cp\u003eArthur Williams was born in Tunica, Mississippi in 1937, was raised in Chicago and made his recording debut backing Frank Frost on Jewel Records in 1966. In 1972, he moved to his current home of St. Louis. He still performed but his recording career was dormant as he concentrated on a day job. In the 1990s, he appeared on a few records and put out a few of his own. But no release before this one has captured such an in-person feeling. The dynamics on this direct-to-disc recording are almost frightening.\u003c\/p\u003e\n\n\u003cp\u003e\"Though once a staple of audiophile labels, no one really bothers with direct-to-disc anymore, except for Chad Kassem, the iconoclastic head of Acoustic Sounds. His Analogue Productions Originals label has just released two direct-to-disc blues recordings...Both records are excellent sounding, the Williams\/Hoggard particularly so. Direct-to-disc yields intensely silent and immediate-sounding LPs. The clarity and natural tonal balance on both is super, and guitarists will love the details - slides, pull-offs, bends, and double-stops - that both records reveal.\" - Wayne Garcia, The Absolute Sound, June\/July 2005, Issue 154\u003c\/p\u003e\n\n\u003cp\u003e\"On Saturday afternoon Kevin captured the great Leroy Jodie Pierson in a 'studio' session direct-to-disc, followed later that day by Arthur Williams and Jesse Hoggard...They captured the excitement and unique atmosphere of this very special event perfectly and you'll be in for an aural treat when you buy them.\" - Richard Foster, Hi-Fi+, Issue 38\u003c\/p\u003e\n\n\n\t\u003cbr\u003e\n\u003cp\u003eSide One\u003cbr\u003e\n\tI’m A King Bee\u003cbr\u003e\n\tSince I Met You Baby\u003cbr\u003e\n\tGo On To School\u003cbr\u003e\n\t\u003cbr\u003e\nSide Two\u003cbr\u003e\n\tI’m Gonna Get My Baby\u003cbr\u003e\n\tCummins Prison Farm\u003cbr\u003e\n\tHug And Squeeze You\u003c\/p\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373362397390,"sku":"753088100611","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_1e4a2a1e-9e26-489e-9ac8-81201c24c821.jpg?v=1617409362"},{"product_id":"moreland-arbuckle-volume-2-lp","title":"Moreland \u0026 Arbuckle - Volume 2 - LP","description":"\u003cp\u003eAnalogue Productions Originals 2013 Direct-to-Disc Sessions\u003c\/p\u003e\n\n\u003cp\u003ePressed at Quality Record Pressings\u003c\/p\u003e\n\n\u003cp\u003eCutting engineer - Kevin Gray\u003c\/p\u003e\n\n\u003cp\u003eThe story goes — two guys met at a jam in 2001 in Kansas. Along the way their raw, droning, harp\/ guitar driven music evolved. The guys eventually hit the road with Z.Z. Top, George Thorogood, Buddy Guy, Los Lonely Boys and used the gigs as an apprenticeship — learning everything they could about putting on a powerhouse show. They learned real good!\u003c\/p\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373367967950,"sku":"753088036019","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_6fe58075-1c0f-49b8-a38c-c3455ac3f648.jpg?v=1617409661"},{"product_id":"christone-kingfish-ingram-kingfish-lp","title":"Kingfish - Kingfish - LP","description":"\u003cp\u003e180 gram vinyl release of the 20-year-old blues firebrand's sensational debut, Christone \"Kingfish\" Ingram. 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Originally released on Mike Vernon’s highly collectable and revered Blue Horizon label in 1969, this pressing will become a must for all serious collectors.\u003c\/p\u003e \n\n\u003cp\u003e\"This two record set is an outstanding bargain for those interested in some great music, great playing and just a 'you are there' jam session. Fleetwood Mac's Peter Green does a bang up job on a variety of tunes and when he's not singing, one of the other greats mentioned above is wailing...These records are a treat and I'm delighted to have them in my collection...Highly recommended.\" - Richard Foster, Hi-Fi+, Issue 40, www.hifiplus.com\u003c\/p\u003e \n\n\t\u003cbr\u003e\n\u003cp\u003eSide One\u003cbr\u003e\n\tWatch Out\u003cbr\u003e\n\tSouth Indiana - Take 1\u003cbr\u003e\n\tSouth Indiana - Take 2\u003cbr\u003e\n\tLast Night\u003cbr\u003e\n\tRed Hot Jam\u003cbr\u003e\n\t\u003cbr\u003e\nSide Two\u003cbr\u003e\n\tI'm Worried\u003cbr\u003e\n\tI Held My Baby Last Night\u003cbr\u003e\n\tMadison Blues\u003cbr\u003e\n\tI Can't Hold\u003cbr\u003e\n\tI Need Your Love\u003cbr\u003e\n\tI Got the Blues\u003cbr\u003e\n\t\u003cbr\u003e\nSide Three\u003cbr\u003e\n\tWorld's in a Tangle\u003cbr\u003e\n\tTalk with You\u003cbr\u003e\n\tLike it This Way\u003cbr\u003e\n\tSomeday Soon Baby\u003cbr\u003e\n\tHungry Country Girl\u003cbr\u003e\n\t\u003cbr\u003e\nSide Four\u003cbr\u003e\n\tBlack Jack Blues\u003cbr\u003e\n\tEveryday I Have the Blues\u003cbr\u003e\n\tRockin' Boogie\u003cbr\u003e\n\tSugar Mama\u003cbr\u003e\n\tHomework\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Default Title","offer_id":39373376717006,"sku":"5060149620083","price":60.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_5c3bc2bb-241c-43f4-814a-b1dfc89dbff8.jpg?v=1646793013"},{"product_id":"samantha-fish-belle-of-the-west-lp","title":"Samantha Fish - Belle Of The West - LP","description":"\u003cp\u003eVinyl LP pressing. 2017 release from the blues singer, songwriter and guitarist. Fish recorded Belle of the West in the relaxed, rural creative atmosphere of the legendary Zebra Ranch Studios in the North Hills of Mississippi with producer Luther Dickinson (of North Mississippi Allstars fame), with whom she worked previously on her 2015 album Wild Heart. The studio team included some of the region's most iconoclastic musicians, including Dickinson, solo artist and Jack White associate Lillie Mae, much-traveled juke-joint blues artist Lightnin' Malcolm, Squirrel Nut Zippers founder Jimbo Mathus, upright bassist and beloved solo artist Amy LaVere, Tikyra Jackson, Trina Raimey and Shardé Thomas, granddaughter of the legendary Southern bluesman Otha Turner.\u003c\/p\u003e","brand":"Alliance","offers":[{"title":"Default Title","offer_id":39373382418638,"sku":"710347204817","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_6f02f45c-9370-487d-adca-a5c5359cbaea.jpg?v=1646792916"},{"product_id":"john-lee-hooker-the-country-blues-of-john-lee-hooker-lp","title":"John Lee Hooker - The Country Blues Of John Lee Hooker - LP","description":"\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: THIS CAN NOT BE PURCHASED WITH PAYPAL\u003c\/strong\u003e - Paypal will block the transaction because of John's 'suggestive' last name. Paypal's words not ours.\u003c\/p\u003e\n\u003cp\u003e60th Anniversary reissue of John Lee Hooker's debut on Riverside Records\u003c\/p\u003e\n\u003cp\u003e180-gram LP pressed at Memphis Record Pressing, authentic tip-on jacket\u003c\/p\u003e\n\u003cp\u003eCut from the master tapes by Kevin Gray at Cohearent Audio\u003c\/p\u003e\n\u003cp\u003eFeatures \"Pea Vine Special,\" \"Bundle Up and Go\" \"Tupelo Blues\" and more!\u003c\/p\u003e\n\u003cp\u003e1959 release by John Lee Hooker unaccompanied and playing acoustic instead of his usual amplified guitar. He turned in a wonderfully varied set of deep Delta blues, moans, boogies, one field holler, and even a bit of hokum. Some are autobiographical, others reworkings of blues standards — all stamped with the hauntingly personal Hooker touch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Side 1:\u003cbr\u003e2. 1. Black Snake\u003cbr\u003e3. 2. How Long Blues\u003cbr\u003e4. 3. 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In fact, when Russell first formed Shelter, he reportedly did so partly to play out his vision of recording one of his favorites, Freddie King.\u003c\/p\u003e\n\n\u003cp\u003eKing's output on Texas Cannonball includes brilliant covers of songs by Howlin' Wolf, Lowell Fulson, Leon Russell, Bill Withers and Elmore James.\u003c\/p\u003e \n\n\u003cp\u003eBacking artists include many musicians who played with Eric Clapton in the 1970s. Clapton has stated many times over that Freddie King was among his chief influences. Supporting musicians include Leon Russell on piano, Carl Radle and Donald \"Duck\" Dunn on bass, Jim Gordon, Chuck Blackwell and Al Jackson on drums, Don Preston on guitar and John Gallie on organ.\u003c\/p\u003e\n\n\u003cp\u003eRecorded at Ardent Studios in Memphis in February 1972.\u003c\/p\u003e \n\n\u003cp\u003eTexas Cannonball is among the first titles to be pressed at Acoustic Sounds' Quality Record Pressings.\u003c\/p\u003e\n\n \n\n\n\n\t\u003cp\u003e1. Lowdown In Lodi\u003cbr\u003e\n\t2. Reconsider Baby\u003cbr\u003e\n\t3. Big Legged Woman\u003cbr\u003e\n\t4. Me And My Guitar\u003cbr\u003e\n\t5. I'd Rather Be Blind\u003cbr\u003e\n\t6. Can't Trust Your Neighbor\u003cbr\u003e\n\t7. You Was Wrong\u003cbr\u003e\n\t8. How Many More Years\u003cbr\u003e\n\t9. Ain't No Sunshine\u003cbr\u003e\n\t10. 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Creating LPs that is.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFor many years, RR has been searching the world over for the best possible vinyl mastering, plating and pressing facilities so they could re-enter the LP market. They now have a production chain that allow them to produce LPs to meet their high standards and satisfy their customers' demands, who have been waiting for these LPs for a long time!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAssembling the Team\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eDisc mastering is done at half-speed to insure maximum accuracy. The lathe system has custom electronics by Nelson Pass. The simple signal path contains no compression, equalization or unnecessary circuitry. RR Chief Engineer and Technical Director, \"Prof.\" Keith Johnson consulted on the design of the system and helped with the rebuilding of the lathe and electronics, which is owned and operated by long-time mastering expert Paul Stubblebine. \"Prof.\" Johnson has pronounced it equal to the challenge of our master tapes!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOnce successful results were achieved in disc mastering, Reference Recordings faced the difficult task of choosing the best plating and pressing facility to manufacture the discs. Fortunately, the new Quality Record Pressings plant in Salina, Kansas was coming on line, and they felt that waiting for this plant to open was well worth it. A crack team of experts was assembled to design and run the plant, employing many unique techniques and features that clearly set QRP apart from all other pressing plants. The 180-gram deluxe vinyl pressings from QRP are truly exceptional.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMultiple Configurations for Reference Mastercuts\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eDepending on program lengths, some releases are cut at 45 rpm, some at 33-1\/3 rpm. Some are single discs, some double. All feature deluxe gate-fold jackets crafted by Stoughton Printing . An unusual feature of new RR masterings is called the \"FDS finish\": the end of each side will have a 30-second band of silent grooves before the \"pull-away.\" No one today uses a record changer, and the silent grooves allow time to lift the arm before the always-somewhat-noisy tie-off. (Some 1950s vintage Capitol Full Dimensional Sound pressings sported this feature.) RR founder, J. Tamblyn (Tam) Henderson deserves special recognition for identifying the value of this unique production feature and reintroducing it with the new Mastercuts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNote:\u003c\/b\u003e\u003cspan\u003e Half-speed Mastering involves a capturing process in which the original recording master is played back at exactly half of the recorded speed. A sequenced cutting lathe is then timed at exactly half of the playback speed. This process allows twice as much time to carve a groove that accurately represents the sound on the master tape. Half-speed mastering allows for cleaner reproduction and also permits extended high frequency response, extending into the ultrasonic region.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e'Prof.' Keith Johnson's First Blues Recording!\u003c\/b\u003e\u003cspan\u003e 13 new MacLeod originals highlight this richly detailed recording, done at Skywalker Sound in Marin County, CA. by Reference Recording's Grammy® winning engineer.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduced by Doug MacLeod and Janice Mancuso the 13 tracks on \"There's A Time\" showcase his soulful vocals and trademark guitar sound backed by Denny Croy on bass and Jimi Bott, one of the most recorded, awarded and respected blues drummers in the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDoug says: \u003c\/span\u003e\u003cb\u003e\"Making this album was different than any other one I've done in the past,\" recalls MacLeod about the sessions. \"They put Jimi, Denny and me on this huge soundstage at Skywalker Sound in Marin County and we sat around in a circle where we could see each other. We played live, no overdubs, just three guys playing some music together.\"\u003cbr\u003e\u003cbr\u003e\"Simply put, Jimi and Denny are two of the finest musicians I have ever had the pleasure to make music with. I've been known to change arrangements on the spot: add a bar here, take away a bar there. I go with the feeling of the moment. Both Jimi and Denny have this uncanny ability to follow that - even under what could have been pressure circumstances for other musicians.\"\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA perennial Blues Music Award nominee, MacLeod has been nominated for Acoustic Artist of the Year. (Drummer Jimi Bott is also a BMA nominee).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDoug is a throwback musicians in the great tradition of the traveling bluesman from the genre's classic era, having apprenticed with some of the best as a sideman with such legends as Big Joe Turner, Pee Wee Crayton, Eddie \"Cleanhead\" Vinson, Big Mama Thornton and George \"Harmonica\" Smith. During that time, he developed his unique, unorthodox and powerfully rhythmic acoustic guitar style, which he puts to great use on \"There's A Time\" playing on a variety of guitars with such pet names as \"Moon\" (a National M-1 Tricone), \"Little Bit (a Gibson C-100 FE) and \"Owl\" (a National Style \"O\"), plus a National El Trovador 12-String.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe other element of Doug's style is his remarkable ability as a storyteller, another trademark of the classic itinerant blues musician. Listening to the songs on There's A Time is like attending a master class on storytelling, as MacLeod weaves tales that are visceral, insightful and often humorous.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike the old masters who taught him, MacLeod's songs are based primarily on his own life and experiences, instilled with the spirit one particular influential bluesman once told him: \u003c\/span\u003e\u003cb\u003e\"Never play a note you don't believe, and never write or sing about what you don't know\".\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn a career that spans over 30 years, Doug's songs have been covered by such artists as Albert King, Albert Collins, Joe Louis walker, and Eva Cassidy. Two of his songs were on Grammy-nominated albums by King and Collins. He's co-written tunes with Dave Alvin and Coco Montoya, and his songs have been featured in many TV movies, as well as the hit TV series \"In The Heat of the Night\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eSelections:\u003cbr\u003eLP1 - Side 1:\u003c\/b\u003e\u003cbr\u003e1. Rosa Lee\u003cbr\u003e2. Black Nights\u003cbr\u003e3. The Up Song\u003cbr\u003e\u003cb\u003eLP1 - Side 2:\u003c\/b\u003e\u003cbr\u003e1. Ghost\u003cbr\u003e2. My Inlaws Are Outlaws\u003cbr\u003e3. The Entitled Few\u003cbr\u003e\u003cb\u003eLP2 - Side 3:\u003c\/b\u003e\u003cbr\u003e1. A Ticket Out\u003cbr\u003e2. Run With The Devil\u003cbr\u003e3. St. Elmo's Rooms and Pool\u003cbr\u003e4. I'll Be Walking On\u003cbr\u003e\u003cb\u003eLP2 - Side 4:\u003c\/b\u003e\u003cbr\u003e1. East Carolina Woman\u003cbr\u003e2. The Night of The Devil's Road\u003cbr\u003e3. 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This is \"Genuine Original Acoustic Music\" at its very best.","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373418692814,"sku":"030911251314","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_7fba67c3-d660-443c-9ae0-a69072ac6bbd.jpg?v=1646792998"},{"product_id":"marquise-knox-here-i-am-analog-productions-lp","title":"Marquise Knox - Here I Am - Analogue Productions  LP","description":"\u003cp\u003e\"While it is difficult to imagine how he does it, Knox is making music as fully vivid and expressive as any of the blues icons he so obviously worships. ... Knox at 19 has recorded as strong a blues record as any released in (2011). He is going to be a major force in this music for a long time to come.\" 4.5\/5 stars — Steve Pick, About.com\u003c\/p\u003e\n\n\u003cp\u003e\"Listening to blues guitarist Marquise Knox play on Here I Am, his third album, you can imagine what it was like first hearing B.B. King back in the early 1950s...A guitarist of extraordinary skill, tone, and phrasing as well as a strong, emotionally powerful vocalist, Marquise Knox is a bluesman you're going to want to keep an eye on.\" - Rev. Keith A. Gordon, Blues Revue\u003cbr\u003e\n\"...every note and every word sounds as if it's coming from deep within his heart...there can be little doubt about Knox himself: he's the real deal, and he can only get deeper and better with age.\" - David Whiteis, Living Blues, October 2011\u003cbr\u003e\n\"We have had the pleasure of having Marquise Knox's Here I Am release at our station for several months now in our current rotation. We really love it, a great disc that has been one of my personal favorites of the year.\" - Leroy Alvarez, Blues Music Director, WNMC 90.7 FM Traverse City, Michigan\u003c\/p\u003e\n\n\u003cp\u003eMarquise Knox is a once-in-a-generation type of talent. And, man, are traditional blues lovers lucky he's decided to pursue straight-up real blues. Marquise has the voice, the songwriting talent, the guitar chops, the showmanship and the determination to very likely be a success in any number of styles of music. But for Marquise, it's nothing but the blues. Not the guitar hero, pyrotechnic licks blues. Not the gimmicky, tired, \"Sweet Home Chicago\" meets \"Mustang Sally\" predictable blues. No, Marquise almost seems to be literally channeling the certain-something energies and nuances of a Howlin' Wolf or Muddy Waters or Lightnin' Hopkins. In fact, when you listen to Marquise - 19 years old when he recorded this title - you get the sense that this is what those masters must have sounded like as young men. Marquise's blues are so transparent and bare. It's so easy to feel his music as totally legitimate. That's above all what makes it so appealing. That's what makes Marquise Knox special. He's the whole package. A throwback blues master on the rise. Anybody believe in reincarnation?\u003c\/p\u003e \n\n\u003cp\u003eAs you'd expect from somebody still so young, Marquise's talents have matured immeasurably since his 2009 APO debut, Man Child, recorded when he was 16. And that was a really good record. On Man Child, Marquise shared the guitar duties with Michael Burks, a fiercely explosive and powerful guitarist. For his new record, Marquise doesn't need the guitar help, and Here I Am doesn't want for even a little power and punch. Marquise's guitar skills have improved tenfold. Seriously. And his voice is, well, three years richer. To say that this record sounds unlike anything any other 19 year old is releasing in 2011 is undisputable. To say that it may be unlike anything anybody is releasing in 2011 might also be true.\u003c\/p\u003e \n\n\u003cp\u003eWhen Man Child hit the market in 2009, blues lovers freaked out partly because of how young Marquise was to be sounding like such an aged veteran. Well, he's still awfully young, but this time around, the focus ought to be entirely on just how incredible a bluesman Marquise Knox is, age aside.\u003c\/p\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373418823886,"sku":"753088202476","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_1b0ed0bb-a93f-47c0-be3f-4bbfd2777627.jpg?v=1617411709"},{"product_id":"canned-heat-john-lee-hooker-hooker-n-heat-pure-pleasure-lp","title":"Canned Heat \u0026 John Lee Hooker - Hooker 'N Heat - Pure Pleasure LP","description":"PLEASE NOTE: THIS CAN NOT BE PURCHASED WITH PAYPAL - Paypal will block the transaction because of John's sexually suggestive last name. Paypals words not mine.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe 1971 release Hooker 'n Heat is a relaxed affair that is split between unaccompanied solo John Lee Hooker tunes, collaborations between Hooker and Alan Wilson and full-blown Hooker and Canned Heat joints. Encompassing a mixture of new material and old favorite, Hooker 'n Heat is surely one of Canned Heat's crowning moments and a milestone in Hooker's legendary career.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\tMessin' With The Hook\u003cbr\u003e\tThe Feelin' Is Gone\u003cbr\u003e\tSend Me A Pillow\u003cbr\u003e\tSittin' Here Thinkin\u003cbr\u003e\tMeet Me In The Bottom\u003cbr\u003e\tAlimonia Blues\u003cbr\u003e\tDrifter\u003cbr\u003e\tYou Talk Too Much\u003cbr\u003e\tBurning Hell\u003cbr\u003e\tBottle Up And Go\u003cbr\u003e\tThe World Today\u003cbr\u003e\tI Got My Eyes On You\u003cbr\u003e\tWhiskey And Wimmen'\u003cbr\u003e\tJust You And Me\u003cbr\u003e\tLet's Make It\u003cbr\u003e\tPeavine\u003cbr\u003e\tBoogie Chillen No. 2","brand":"Pure Pleasure","offers":[{"title":"Default Title","offer_id":39373422526670,"sku":"5060149620960","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_7f2bc772-6e25-45bf-a5f5-d64364dd0e7c.jpg?v=1617411942"},{"product_id":"junior-wells-youre-tuff-enough-lp","title":"Junior Wells - You're Tuff Enough - LP","description":"Vinyl reissue of the 1968 album by blues legend Junior Wells that collects his recordings from the Blue Rock label that found Wells experimenting with a funky, James Brown-inspired sound - includes the title track which was a Top 40 hit on the R\u0026amp;B singles chart!","brand":"Alliance","offers":[{"title":"Default Title","offer_id":39373430358222,"sku":"889466152016","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_59867a36-b102-49c9-9526-4dc8a145bfaf.jpg?v=1646793048"},{"product_id":"johnny-winter-johnny-winter-speakers-corner-lp","title":"Johnny Winter - Johnny Winter - Speakers Corner LP","description":"\u003cp\u003eWhen an international weekly magazine calls a musician the \"white pope of black art,\" then it sounds suspiciously like charitableness towards a blues musician in his prime, whose good years are in the past. As if! In the case of Johnny Winter, the reviews of his 2011 tour were just as glowing as in his early years, when Rolling Stone magazine described the gaunt Mississippi bard as \"... a cross-eyed albino with long fleecy hair playing some of the gutsiest fluid blues guitar you have ever heard.\" Intentional or not: Winter was able to win for himself some of the 'rocker' laurels that were reserved for the young Eric Clapton and Jimi Hendrix. But Winter let everyone know that he was only interested in the blues, gutsy, evoking Howlin’ Wolf’s and Muddy Waters’ growling groove, yet nimble-fingered enough on the strings to conjure up astoundingly sleek garlands of sound that fit precisely into each bar of music.\u003c\/p\u003e\n\n\u003cp\u003eWinter remains pretty cool when people attempt to identify personal afflictions in his music: \"When I play blues, I feel good,\" he stated recently to a journalist. 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Third Man Records presents Ann Arbor Blues Festival 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin' Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin' Hopkins, Pinetop Perkins, J. B. 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Even so, the savvy combination of his gritty and powerful “chest voice” singing style coupled with his mastery of slide guitar (some report he regularly used a knife as a slide) has given him a notably influential legacy, specifically with later bluesmen Howlin’ Wolf and Robert Johnson. His tune “Dark Was the Night, Cold Was the Ground” was selected for Carl Sagan’s Voyager probe Golden Record, the Library of Congress as well as the National Recording Registry.\u003c\/p\u003e\n\n\u003cp\u003eSingle LP with single pocket tip-on jacket with soft touch finish\u003c\/p\u003e\n\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\n\u003cp\u003e1. John the Revelator\u003c\/p\u003e\n\n\u003cp\u003e2. It's Nobody's Fault But Mine\u003c\/p\u003e\n\n\u003cp\u003e3. If I Had My Way, I'd Tear the Building Down\u003c\/p\u003e\n\n\u003cp\u003e4. God Moves on the Water\u003c\/p\u003e\n\n\u003cp\u003e5. The Soul of a Man\u003c\/p\u003e\n\n\u003cp\u003e6. 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Folklorists John and Alan Lomax were early supporters that brought Lead Belly to the attention of Ivy Leaguers as well as a European audience. His songs have been widely covered by artists such as Elvis, Nirvana, Johnny Cash, and the Grateful Dead.\u003c\/p\u003e\n\n\u003cp\u003eSingle LP with single pocket tip-on jacket with soft touch finish\u003c\/p\u003e\n\n\u003cp\u003eSIDE A 1. Mr. Tom Hughes’ Town 2. C. C. Rider 3. You Can’t Lose Me, Charlie 4. Kansas City Papa 5. Death Letter Blues, Part 1 6. Death Letter Blues, Part 2 7. Fort Worth and Dallas Blues\u003c\/p\u003e\n\n\u003cp\u003eSIDE B 1. Bull Cow 2. Ox Drivin’ Blues 3. Shorty George 4. You Don’t Know My Mind 5. Matchbox Blues 6. My Baby Quit Me 7. 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Though field recordings in the literal sense of the term, they capture the brilliance of the musicians, the excitement of the crowd and the loose, convivial nature of the entire festival. Those tapes, long thought to be lost, have now been lovingly restored to capture the electric energy of the landmark concert. Both volumes include never-before-seen photographs, artist biographies, an exclusive reminiscence from Jim Fishel, and extensive liner notes by Parker Fishel, Sophie Abramowitz and David Beal.\n\nTracklist\n\n1 Dirty Mother for You – Roosevelt Sykes\n2 So Glad You’re Mine – Arthur “Big Boy” Crudup\n3 Too Much Alcohol – J.B. Hutto \u0026amp; His Hawks\n4 I Wonder Why – Jimmy “Fast Fingers” Dawkins\n5 Help Me (A Tribute to Sonny Boy Williamson) – Junior Wells\n6 I’ve Got a Mind to Give Up Living – B.B. King with Sonny Freeman and the Unusuals\n7 John Henry – Mississippi Fred McDowell\n8 Pinetop’s Boogie Woogie – Pinetop Perkins\n9 Introduction – Big Bill Hill\n10 Everybody Must Suffer\/Stone Crazy – Luther Allison and the Blue Nebulae\n11 Tu m’as promis l’amour (You Promised Me Love) – Clifton Chenier\n12 Hard Luck – The Original Howlin’ Wolf and His Orchestra\n13 So Many Roads, So Many Trains – Otis Rush\n","brand":"Third Man","offers":[{"title":"Default Title","offer_id":39373455884494,"sku":"813547027788","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_bc6acfa4-cb8a-468b-8f3d-4d86d34c0239.jpg?v=1617413087"},{"product_id":"canned-heat-boogie-with-canned-heat-pure-pleasure-lp","title":"Canned Heat - Boogie With Canned Heat - Pure Pleasure LP","description":"\u003cp\u003eCanned Heat's second long-player, Boogie With Canned Heat (1968), pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie. The quintet - consisting of Alan \"Blind Owl\" Wilson, Larry \"The Mole\" Taylor, Henry \"Sunflower\" Vestine, Aldolfo \"Fido\" Dela Parra and Bob \"The Bear\" Hite - follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation.\u003c\/p\u003e\n\n \n\n\n\n\t\u003cp\u003eEvil Woman\u003cbr\u003e\n\tMy Crime\u003cbr\u003e\n\tOn The Road Again\u003cbr\u003e\n\tWorld In A Jug\u003cbr\u003e\n\tTurpentine Moan\u003cbr\u003e\n\tWhiskey Headed Woman #2\u003cbr\u003e\n\tAmphetamine Annie\u003cbr\u003e\n\tAn Owl Song\u003cbr\u003e\n\tMarie Laveau\u003cbr\u003e\n\tFried Hockey Boogie\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Default Title","offer_id":39373464109262,"sku":"5060149621332","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_48ad6097-f025-44f2-8f65-a8a174b8010b.jpg?v=1646793109"}],"url":"https:\/\/www.theingroove.com\/collections\/blues-lps.oembed?page=6","provider":"The 'In' Groove","version":"1.0","type":"link"}