{"title":"Jazz LPs","description":"\u003cp\u003eJazz is the heart of any great record collection, and our Jazz LPs collection runs deep — from Blue Note classics, bebop, and hard bop to spiritual jazz, fusion, and audiophile reissues. With thousands of titles, The 'In' Groove is a destination for jazz vinyl collectors.\u003c\/p\u003e","products":[{"product_id":"dexter-gordon-doin-allright-80th-lp","title":"Dexter Gordon - Doin' Allright - 80th LP","description":"\u003cp\u003e\u003cstrong\u003eBlue Note 80 Vinyl Reissue Series — All-Analog 180g LP Mastered by Kevin Gray at Cohearent Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough he first recorded in the late 1940s, Dexter Gordon's Blue Note debut \u003cem\u003eDoin' Allright\u003c\/em\u003e — recorded and released in 1961 — marked a rebirth for the great tenor saxophonist after a decade in which legal troubles limited his output. His Blue Note years put him back on top with a run of essential albums, and this set pairs bluesy hard-bop originals like \"Society Red\" with a stunning reading of the ballad \"You've Changed.\" The quintet features Freddie Hubbard on trumpet, Horace Parlan on piano, George Tucker on bass, and Al Harewood on drums.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180g black vinyl\u003c\/li\u003e\n\u003cli\u003eBlue Note 80 Vinyl Reissue Series (standard packaging)\u003c\/li\u003e\n\u003cli\u003eAll-analog mastering by Kevin Gray at Cohearent Audio\u003c\/li\u003e\n\u003cli\u003ePressed at Optimal (Made in Germany)\u003c\/li\u003e\n\u003cli\u003eLabel: Blue Note\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Was Doing All Right\u003c\/li\u003e\n\u003cli\u003eYou've Changed\u003c\/li\u003e\n\u003cli\u003eFor Regulars Only\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSociety Red\u003c\/li\u003e\n\u003cli\u003eIt's You or No One\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMG","offers":[{"title":"Default Title","offer_id":39373113098446,"sku":"602577435935","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/11unilp43593-large__66684.1778493365.jpg?v=1781051345"},{"product_id":"miles-davis-kind-of-blue-numbered-mfsl-45rpm-2lp-box-set","title":"Miles Davis - Kind Of Blue Numbered - MFSL 45RPM 2LP Box Set","description":"\u003cp\u003e\u003cstrong\u003eNumbered Limited Edition 180g 45RPM 2LP Box Set — Mobile Fidelity, mastered from the original analog remix master and pressed at RTI.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe best-selling and most influential jazz album ever made, given Mobile Fidelity's definitive analog treatment. Recorded in 1959 by Miles Davis' dream-team sextet — Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb — Kind of Blue distilled modal jazz into an endlessly beautiful, introspective masterpiece. This numbered MoFi box set was mastered from the 1\/4\" \/ 15 IPS \/ Dolby SR analog remix master to DSD 64 and spread across four 45RPM sides for maximum fidelity.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180g 45RPM vinyl, 2LP box set\u003c\/li\u003e\n\u003cli\u003eNumbered limited edition; mastered from the original analog remix master to DSD 64; pressed at RTI\u003c\/li\u003e\n\u003cli\u003eLabel: Mobile Fidelity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\u003cli\u003eSo What\u003c\/li\u003e\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eFreddie Freeloader\u003c\/li\u003e\n\u003cli\u003eBlue in Green\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Three:\u003c\/p\u003e\u003col\u003e\u003cli\u003eAll Blues\u003c\/li\u003e\u003c\/ol\u003e\n\u003cp\u003eSide Four:\u003c\/p\u003e\u003col\u003e\u003cli\u003eFlamenco Sketches\u003c\/li\u003e\u003c\/ol\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":39373114343630,"sku":"821797450119","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/18mfsl2-45011-large__72465.1779998237.jpg?v=1781052238"},{"product_id":"john-hicks-hells-bells-pure-pleasure-lp","title":"John Hicks - Hells Bells - Pure Pleasure LP","description":"\u003cp\u003e\u003cstrong\u003e180g Vinyl LP — Pure Pleasure reissue, remastered by Ray Staff at Air Mastering and pressed at Pallas.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePianist John Hicks — a veteran of Art Blakey's Jazz Messengers and Betty Carter's band, and a first-call accompanist for Pharoah Sanders, David Murray, and Arthur Blythe — leads an intimate trio date recorded in London in May 1975. Backed by bassist Clint Houston and drummer Cliff Barbaro, Hicks moves easily between straight-ahead swing, free-leaning exploration, and pure romanticism across four of his wandering, melodic originals. Pure Pleasure's 180g reissue was remastered by Ray Staff and pressed at Pallas in Germany.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180g black vinyl\u003c\/li\u003e\n\u003cli\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London; pressed at Pallas in Germany\u003c\/li\u003e\n\u003cli\u003eLabel: Pure Pleasure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eHells Bells\u003c\/li\u003e\n\u003cli\u003eAvojca\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eYemenja\u003c\/li\u003e\n\u003cli\u003eAngies Tune\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Pure Pleasure","offers":[{"title":"Default Title","offer_id":39373114540238,"sku":"5060149622896","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/14pprlp8002__72072.1778263354.jpg?v=1781052242"},{"product_id":"sam-rivers-contours-tone-poet-lp","title":"Sam Rivers - Contours - Tone Poet LP","description":"\u003cp\u003e\u003cstrong\u003eAll-Analog 180g Tone Poet Pressing — Mastered by Kevin Gray from the Original Master Tape, Pressed at RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSaxophonist and flutist Sam Rivers followed his striking debut \u003cem\u003eFuchsia Swing Song\u003c\/em\u003e with the tremendous \u003cem\u003eContours\u003c\/em\u003e, recorded at Rudy Van Gelder's Englewood Cliffs studio in 1965 with a top-flight band: Freddie Hubbard on trumpet, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums. Across four of Rivers' own compositions the quintet pushes from modal jazz toward freer, more open territory while keeping a foot firmly planted in post-bop. 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Handy, Charlie Parker, and Dizzy Gillespie for a brilliant orchestra featuring Cannonball Adderley, Art Blakey, Paul Chambers, and Johnny Coles. Produced by Joe Harley for the Tone Poet series and sourced from a previously unknown analog stereo master, it arrives in deluxe tip-on packaging at the highest fidelity.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll-analog 180g vinyl\u003c\/li\u003e\n\u003cli\u003eTone Poet Audiophile Vinyl Reissue Series; mastered by Kevin Gray at Cohearent Audio from the original master tape; pressed at RTI; produced by Joe Harley\u003c\/li\u003e\n\u003cli\u003eLabel: Blue Note\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eSt. Louis Blues\u003c\/li\u003e\n\u003cli\u003eKing Porter Stomp\u003c\/li\u003e\n\u003cli\u003eWillow Tree\u003c\/li\u003e\n\u003cli\u003eStruttin' With Some Barbecue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eLester Leaps In\u003c\/li\u003e\n\u003cli\u003e'Round About Midnight\u003c\/li\u003e\n\u003cli\u003eManteca\u003c\/li\u003e\n\u003cli\u003eBird Feathers\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMG","offers":[{"title":"Default Title","offer_id":39373124600014,"sku":"602577280894","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_efab89d0-61aa-47db-ac87-30a9d2204edc.jpg?v=1617400726"},{"product_id":"gil-evans-gil-evans-and-ten-analog-productions-lp","title":"Gil Evans - Gil Evans and Ten - Analogue Productions LP","description":"\u003cp\u003e\u003cstrong\u003eNumbered, limited-edition 200g LP — the first-ever stereo vinyl release, mastered by Kevin Gray from the original analog tapes and pressed at QRP.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in 1957 after Miles Davis persuaded Prestige to give his old friend a session of his own, Gil Evans \u0026amp; Ten is Evans' debut as both leader and pianist. Writing for just eleven instruments, Evans used his command of dynamics and harmonic color to conjure the sound of a far larger orchestra, with solo turns from trombonist Jimmy Cleveland and saxophonists Steve Lacy and Lee Konitz. Part of Analogue Productions' definitive series of Rudy Van Gelder–recorded Prestige reissues, this edition presents the album in stereo on vinyl for the first time.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e200-gram vinyl with deep-groove labels and tip-on jacket\u003c\/li\u003e\n\u003cli\u003eNumbered, limited edition (first 1,000 copies numbered); mastered by Kevin Gray from the original 100% analog master tapes, plated by Gary Salstrom and pressed at Quality Record Pressings; stereo\u003c\/li\u003e\n\u003cli\u003eLabel: Analogue Productions (Prestige)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eRemember\u003c\/li\u003e\n\u003cli\u003eElla Speed\u003c\/li\u003e\n\u003cli\u003eBig Stuff\u003c\/li\u003e\n\u003cli\u003eNobody's Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eJust One Of Those Things\u003c\/li\u003e\n\u003cli\u003eIf You Could See Me Now\u003c\/li\u003e\n\u003cli\u003eJambangle\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373124665550,"sku":"753088712012","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/1400x1400bb_5b0f434a-6a4f-4233-b0c2-1b62c10b0540.jpg?v=1781055026"},{"product_id":"herbie-hancock-takin-off-80th-lp","title":"Herbie Hancock - Takin' Off - 80th LP","description":"\u003cp\u003e\u003cstrong\u003eBlue Note 80 Vinyl Reissue Series — 180g LP mastered by Kevin Gray at Cohearent and pressed at Optimal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHerbie Hancock's 1962 debut arrived fully formed, the young pianist leading a powerhouse quintet of Freddie Hubbard, Dexter Gordon, Butch Warren, and Billy Higgins through six of his own compositions. Rooted in hard bop but rich with blues and gospel feeling, it yielded the enduring hit \"Watermelon Man\" alongside the gorgeous closing ballad \"Alone and I.\" This Blue Note 80 edition was mastered by Kevin Gray from the analog tapes.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180g black vinyl\u003c\/li\u003e\n\u003cli\u003eBlue Note 80 Vinyl Reissue Series; mastered by Kevin Gray at Cohearent Mastering; pressed at Optimal in Germany\u003c\/li\u003e\n\u003cli\u003eLabel: Blue Note\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eWatermelon Man\u003c\/li\u003e\n\u003cli\u003eThree Bags Full\u003c\/li\u003e\n\u003cli\u003eEmpty Pockets\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eThe Maze\u003c\/li\u003e\n\u003cli\u003eDriftin'\u003c\/li\u003e\n\u003cli\u003eAlone and I\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMG","offers":[{"title":"Default Title","offer_id":39373124763854,"sku":"602577423994","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/13unilp42399-large__40258.1778509837.jpg?v=1781052413"},{"product_id":"herbie-hancock-head-hunters-analog-productions-45rpm-lp","title":"Herbie Hancock - Head Hunters - Analogue Productions 45rpm LP","description":"\u003cp\u003e\u003cstrong\u003e180g 45RPM 2LP — Analogue Productions, mastered at Sterling Sound by Ryan K. Smith and pressed at QRP.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHerbie Hancock's 1973 fusion landmark and the second best-selling jazz album of all time, Head Hunters fused electric jazz with the deep funk of Sly Stone, Curtis Mayfield, and James Brown. Backed by Bennie Maupin, Paul Jackson, Bill Summers, and Harvey Mason, Hancock layered Fender Rhodes, clavinet, and synthesizers into grooves that still sound vital today. Cut at 45RPM across four sides for maximum fidelity, with a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180g 45RPM vinyl, double LP\u003c\/li\u003e\n\u003cli\u003eMastered at Sterling Sound by Ryan K. 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Smith at Sterling Sound and pressed at QRP.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded over three days in April 1961, Someday My Prince Will Come captures Miles Davis' second great rhythm section — Wynton Kelly, Paul Chambers, and Jimmy Cobb — at the peak of their telepathic interplay. The session also features John Coltrane's final recorded appearance with Miles, plus bluesy contributions from tenorman Hank Mobley. Analogue Productions' all-analog reissue pairs Ryan K. Smith's Sterling mastering with a heavyweight QRP pressing and a Stoughton tip-on jacket.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e200g black vinyl, 33 1\/3 RPM\u003c\/li\u003e\n\u003cli\u003eMastered from the original analog tape by Ryan K. 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Davis' open, aching tone gives the music an elegant, after-hours melancholy that recalls his early-'50s sessions with Clarke. 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Across a program of standards and a pair of jazz originals, the quintet balances relaxed swing with the simmering interplay that would soon make them the most talked-about band in jazz. 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Smith at Sterling Sound and pressed at QRP.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in spring 1963, Seven Steps to Heaven captures Miles Davis at a pivotal moment of transition between his first and second great quintets. The album splits between a Hollywood date with pianist Victor Feldman and drummer Frank Butler delivering luminous ballads, and a New York session that introduced the explosive young team of Herbie Hancock and Tony Williams, with George Coleman and Ron Carter throughout. Mastered from the original analog tape for the definitive listening experience.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e200g black vinyl, 33 1\/3 RPM\u003c\/li\u003e\n\u003cli\u003eMastered from the original analog tape by Ryan K. 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Splitting the difference between accessible hard bop and adventurous, exploratory playing, it's the first Davis LP made up entirely of original compositions and ranks among the group's very best. 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Recorded in 1968, Filles de Kilimanjaro chases electric textures, rock-based rhythms, and ostinato pulses across five suite-like compositions. The set marks a turning point in his band, with Chick Corea and Dave Holland joining for the September sessions alongside the classic quintet. 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With a rotating cast that included Wayne Shorter, Chick Corea, Keith Jarrett, Gary Bartz, Dave Holland, and Jack DeJohnette across the dates, the music churns between funk, free improvisation, and rock energy. 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Backed by guitarist Grant Green, tenor saxophonist Fred Jackson, and drummer Ben Dixon, Willette plays the Hammond B-3 with sanctified, gospel-rooted fervor. 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From the blistering opener \"Mil Dew\" to the loping \"Chicago Calling\" and bluesy \"Nice and Easy,\" Griffin's staggering technique and buoyant swing are on full display. A flag-planting statement from one of hard bop's fastest and most exciting players.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180-gram black vinyl\u003c\/li\u003e\n\u003cli\u003eBlue Note 80 series; all-analog, mastered by Kevin Gray from the original master tapes and pressed at Optimal\u003c\/li\u003e\n\u003cli\u003eLabel: Blue Note\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eMil Dew\u003c\/li\u003e\n\u003cli\u003eChicago Calling\u003c\/li\u003e\n\u003cli\u003eThese Foolish Things\u003c\/li\u003e\n\u003cli\u003eThe Boy Next Door\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eNice and Easy\u003c\/li\u003e\n\u003cli\u003eIt's Alright with Me\u003c\/li\u003e\n\u003cli\u003eLover Man\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMG","offers":[{"title":"Default Title","offer_id":39373143015630,"sku":"602577450648","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/JGriffin-Introducing_1LP-ProductShot.png?v=1781054731"},{"product_id":"freddie-hubbard-open-sesame-80th-lp","title":"Freddie Hubbard - Open Sesame - 80th LP","description":"\u003cp\u003e\u003cstrong\u003eFreddie Hubbard's 1960 Blue Note debut, reissued in the all-analog Blue Note 80 series.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTrumpeter Freddie Hubbard arrived fully formed with Open Sesame in June 1960, his brilliant tone and jaw-dropping technique already in command at the head of a sterling quintet featuring tenor saxophonist Tina Brooks, pianist McCoy Tyner, bassist Sam Jones, and drummer Clifford Jarvis. 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For a one-hour 1957 CBS broadcast, 32 towering jazz musicians of the swing era — Count Basie, Lester Young, Ben Webster, Billie Holiday, Coleman Hawkins and more — gathered for the jam session to end all jam sessions. Originally issued as Columbia CL 1098 in 1958, the album was mastered from the original analog tapes by Ryan K. Smith at Sterling Sound.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eLimited edition 200-gram vinyl\u003c\/li\u003e\n\u003cli\u003eMastered from the original analog tapes by Ryan K. Smith at Sterling Sound\u003c\/li\u003e\n\u003cli\u003ePressed at Quality Record Pressings; plating by Gary Salstrom\u003c\/li\u003e\n\u003cli\u003eLabel: Analogue Productions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eWild Man Blues — Henry \"Red\" Allen All-Stars\u003c\/li\u003e\n\u003cli\u003eRosetta — Henry \"Red\" Allen All-Stars\u003c\/li\u003e\n\u003cli\u003eFine and Mellow — Billie Holiday, Mal Waldron All-Stars\u003c\/li\u003e\n\u003cli\u003eBlues — Jimmy Giuffre, Pee Wee Russell, Jo Jones, Danny Barker\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eI Left My Baby — Jimmy Rushing, Count Basie All-Stars\u003c\/li\u003e\n\u003cli\u003eThe Train and the River — Jimmy Giuffre Trio\u003c\/li\u003e\n\u003cli\u003eNervous — Mal Waldron\u003c\/li\u003e\n\u003cli\u003eDickie's Dream — Count Basie All-Stars\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373146357966,"sku":"753088011115","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_d68d6ee3-11fa-46cc-a64a-0a6b4d12643e.jpg?v=1617401451"},{"product_id":"duke-ellington-masterpieces-by-ellington-analog-productions-lp","title":"Duke Ellington - Masterpieces By Ellington (Mono) - Analogue Productions 45rpm LP","description":"\u003cp\u003e\u003cstrong\u003e180-gram double-LP set cut at 45 RPM — mastered by Ryan K. Smith at Sterling Sound from the original analog mono tapes, pressed at Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in December 1950, Masterpieces by Ellington was among the first albums to use the new long-playing format to capture full, uncut concert-length arrangements of Duke Ellington's signature works. Spreading four extended pieces across two 45 RPM LPs gives the orchestra room to breathe, revealing remarkable detail in the horns, Duke's piano and Wendell Marshall's bass.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180-gram double LP, cut at 45 RPM (mono)\u003c\/li\u003e\n\u003cli\u003eMastered by Ryan K. Smith at Sterling Sound from the original analog tapes; gatefold old-style tip-on jacket by Stoughton Printing\u003c\/li\u003e\n\u003cli\u003eLabel: Analogue Productions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\u003cli\u003eMood Indigo\u003c\/li\u003e\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\u003cli\u003eSophisticated Lady\u003c\/li\u003e\u003c\/ol\u003e\n\u003cp\u003eSide Three:\u003c\/p\u003e\u003col\u003e\u003cli\u003eThe Tattooed Bride\u003c\/li\u003e\u003c\/ol\u003e\n\u003cp\u003eSide Four:\u003c\/p\u003e\u003col\u003e\u003cli\u003eSolitude\u003c\/li\u003e\u003c\/ol\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373146390734,"sku":"753088441875","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_10b48b07-f9dc-4dcf-845e-d40b274ad2fb.jpg?v=1617401453"},{"product_id":"dave-brubeck-quartet-time-out-analog-productions-33rpm-lp","title":"Dave Brubeck Quartet - Time Out - Analogue Productions 33rpm LP","description":"\u003cp\u003e\u003cstrong\u003eAnalogue Productions 200-gram LP — cut at 33 1\/3 RPM by Bernie Grundman, pressed at Quality Record Pressings, in a gatefold Stoughton tip-on jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe definitive audiophile reissue of the Dave Brubeck Quartet's 1959 masterpiece, the first jazz album to sell a million copies. \u003cem\u003eTime Out\u003c\/em\u003e made odd time signatures swing — the 9\/8 of \"Blue Rondo à la Turk,\" the immortal 5\/4 of \"Take Five\" — and remains one of the most beloved records in all of jazz. This Analogue Productions edition presents it on heavy 200-gram vinyl mastered by Bernie Grundman, housed in a gatefold jacket with rare black-and-white photos from the Columbia studio sessions.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e200-gram black vinyl, 33 1\/3 RPM\u003c\/li\u003e\n\u003cli\u003eMastered by Bernie Grundman; pressed at Quality Record Pressings; gatefold Stoughton tip-on jacket\u003c\/li\u003e\n\u003cli\u003eLabel: Analogue Productions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Rondo à la Turk\u003c\/li\u003e\n\u003cli\u003eStrange Meadow Lark\u003c\/li\u003e\n\u003cli\u003eTake Five\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThree to Get Ready\u003c\/li\u003e\n\u003cli\u003eKathy's Waltz\u003c\/li\u003e\n\u003cli\u003eEverybody's Jumpin'\u003c\/li\u003e\n\u003cli\u003ePick Up Sticks\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373146423502,"sku":"753088819216","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/36aplp8192b__12574.jpg?v=1781057678"},{"product_id":"julie-london-julie-is-her-name-analog-productions-lp","title":"Julie London - Julie Is Her Name - Analogue Productions 45rpm LP","description":"\u003cp\u003e\u003cstrong\u003eAnalogue Productions 45 RPM double-LP mono edition — all-tube mastering by Bernie Grundman, plated and pressed at Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJulie London's 1955 Liberty Records debut is a definitive late-night classic, built around her smoky, intimate reading of the hit \"Cry Me a River.\" Backed only by Barney Kessel on guitar and Ray Leatherwood on bass, the minimalist mono recording puts her voice front and center. This Analogue Productions reissue spreads the twelve performances across two 45 RPM LPs for wider grooves, superior tracking, and the fullest possible sound, mastered on Bernie Grundman's all-tube cutting system.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDouble 180-gram LP, 45 RPM, mono\u003c\/li\u003e\n\u003cli\u003eAll-tube mastering by Bernie Grundman; plated and pressed at Quality Record Pressings\u003c\/li\u003e\n\u003cli\u003eLabel: Analogue Productions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCry Me a River\u003c\/li\u003e\n\u003cli\u003eI Should Care\u003c\/li\u003e\n\u003cli\u003eI'm in the Mood for Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Glad There Is You\u003c\/li\u003e\n\u003cli\u003eCan't Help Lovin' That Man\u003c\/li\u003e\n\u003cli\u003eI Love You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Three:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSay It Isn't So\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind\u003c\/li\u003e\n\u003cli\u003eEasy Street\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Four:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e'S Wonderful\u003c\/li\u003e\n\u003cli\u003eNo Moon at All\u003c\/li\u003e\n\u003cli\u003eLaura\u003c\/li\u003e\n\u003cli\u003eGone with the Wind\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373146620110,"sku":"753088300677","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/1400x1400bb_29b7ae10-240a-4c18-b99f-2b17894ebe68.jpg?v=1781056896"},{"product_id":"chick-corea-now-he-sings-now-he-sobs-tone-poet-lp","title":"Chick Corea - Now He Sings, Now He Sobs - Tone Poet LP","description":"\u003cp\u003e\u003cstrong\u003eBlue Note Tone Poet Series — all-analog 180-gram LP mastered from the original master tapes by Kevin Gray, pressed at RTI in a deluxe gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChick Corea's brilliant 1968 trio date is one of the most revered piano-trio recordings in jazz, ranked alongside the classic Bill Evans sessions. The interplay between Corea, Czech bassist Miroslav Vitous, and drummer Roy Haynes is endlessly inventive across a program of Corea originals that includes the first recording of \"Matrix.\" Produced by Music Matters co-founder Joe Harley and cut all-analog from the original tapes by Kevin Gray, this Tone Poet edition delivers the music with stunning dynamics, depth, and dead-quiet surfaces.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAll-analog 180-gram vinyl LP\u003c\/li\u003e\n\u003cli\u003eBlue Note Tone Poet Series — mastered from the original master tapes by Kevin Gray at Cohearent Audio, pressed at RTI, deluxe gatefold jacket; produced by Joe Harley\u003c\/li\u003e\n\u003cli\u003eLabel: Blue Note\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSteps – What Was\u003c\/li\u003e\n\u003cli\u003eMatrix\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNow He Sings – Now He Sobs\u003c\/li\u003e\n\u003cli\u003eNow He Beats the Drum – Now He Stops\u003c\/li\u003e\n\u003cli\u003eThe Law of Falling and Catching Up\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMG","offers":[{"title":"Default Title","offer_id":39373147078862,"sku":"602577199820","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/1400x1400bb_4f2e5e7a-c535-4639-bf23-7deac716f649.jpg?v=1781056968"},{"product_id":"sonny-rollins-saxophone-colossus-lp","title":"Sonny Rollins - Saxophone Colossus - LP","description":"\u003cp\u003e\u003cstrong\u003e180-gram vinyl reissue in a Stoughton tip-on jacket — Sonny Rollins' 1956 hard-bop masterpiece.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in a single day on June 22, 1956 with Tommy Flanagan on piano, Doug Watkins on bass and Max Roach on drums, Saxophone Colossus is the album that cemented Rollins as a giant of the tenor saxophone. It opens with his calypso-driven signature \"St. Thomas\" and closes with the landmark blues improvisation \"Blue 7,\" with the \"Mack the Knife\" reading \"Moritat\" in between.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180-gram vinyl\u003c\/li\u003e\n\u003cli\u003eStoughton tip-on jacket\u003c\/li\u003e\n\u003cli\u003eLabel: Prestige\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eSt. Thomas\u003c\/li\u003e\n\u003cli\u003eYou Don't Know What Love Is\u003c\/li\u003e\n\u003cli\u003eStrode Rode\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eMoritat\u003c\/li\u003e\n\u003cli\u003eBlue 7\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMG","offers":[{"title":"Default Title","offer_id":39373147111630,"sku":"888072025417","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/1400x1400bb_07898376-b2b1-4414-9274-3cda355f5e08.jpg?v=1781078831"},{"product_id":"lou-donaldson-mr-shing-a-ling-tone-poet-lp","title":"Lou Donaldson - Mr. Shing-A-Ling - Tone Poet LP","description":"\u003cp\u003e\u003cstrong\u003eBlue Note Tone Poet Series — all-analog 180-gram LP mastered from the original master tapes by Kevin Gray, pressed at RTI in a deluxe gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunky soul-jazz from saxophonist Lou Donaldson, recorded in 1967 with a killer quintet: Blue Mitchell on trumpet, Lonnie Smith on organ, Jimmy Ponder on guitar, and the tight drumming of a young Idris Muhammad (credited here under his birth name, Leo Morris). The set bridges Lou's earlier Blue Note soul-jazz with his later jazz-funk groove, and its standout cover of \"Ode to Billie Joe\" went on to become one of the most sampled tracks in Blue Note history. 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Backing her weathered, deeply expressive voice with lush Ray Ellis orchestral arrangements, the set gathers standards she had never recorded before, with soloists including Mel Davis, Urbie Green and bebop trombone pioneer J.J. 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Backed by small jazz groups featuring players such as Ben Webster and Barney Kessel, it serves as a perfect companion to Songs for Distingué Lovers, with classic readings of standards including \"They Can't Take That Away from Me.\"\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eVinyl LP\u003c\/li\u003e\n\u003cli\u003eLabel: Verve\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eBody and Soul\u003c\/li\u003e\n\u003cli\u003eThey Can't Take That Away from Me\u003c\/li\u003e\n\u003cli\u003eDarn That Dream\u003c\/li\u003e\n\u003cli\u003eLet's Call the Whole Thing Off\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eComes Love\u003c\/li\u003e\n\u003cli\u003eGee Baby, Ain't I Good to You\u003c\/li\u003e\n\u003cli\u003eEmbraceable You\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMG","offers":[{"title":"Default Title","offer_id":39373161234638,"sku":"602577089657","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_016958b8-2669-40d2-8071-59f45f787b95.jpg?v=1617401893"},{"product_id":"billie-holiday-all-or-nothing-at-all-analog-productions-lp","title":"Billie Holiday - All Or Nothing At All - Analogue Productions LP","description":"\u003cp\u003e\u003cstrong\u003eAnalogue Productions 45 RPM 2LP, 200 Gram Vinyl, Mono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA magnificent culmination of Billie Holiday's years recording for producer Norman Granz. Made during a last burst of stardom following her autobiography Lady Sings the Blues, the set pairs Holiday's voice with an all-star band. This Analogue Productions reissue is cut at 45 RPM on 200-gram vinyl for maximum fidelity.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e200 gram vinyl, 45 RPM, Mono; Number of Discs: 2\u003c\/li\u003e\n\u003cli\u003ePersonnel: Billie Holiday (vocals), Harry \"Sweets\" Edison (trumpet), Ben Webster (tenor saxophone), Barney Kessel (guitar), Jimmy Rowles (piano), Red Mitchell and Joe Mondragon (bass), Larry Bunker and Alvin Stoller (drums)\u003c\/li\u003e\n\u003cli\u003eLabel: Verve (Analogue Productions)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eDo Nothing Till You Hear from Me\u003c\/li\u003e\n\u003cli\u003eCheek to Cheek\u003c\/li\u003e\n\u003cli\u003eIll Wind\u003c\/li\u003e\n\u003cli\u003eSpeak Low\u003c\/li\u003e\n\u003cli\u003eI Wished on the Moon\u003c\/li\u003e\n\u003cli\u003eBut Not for Me\u003c\/li\u003e\n\u003cli\u003eAll or Nothing at All\u003c\/li\u003e\n\u003cli\u003eWe'll Be Together Again\u003c\/li\u003e\n\u003cli\u003eSophisticated Lady\u003c\/li\u003e\n\u003cli\u003eApril in Paris\u003c\/li\u003e\n\u003cli\u003eSay It Isn't So\u003c\/li\u003e\n\u003cli\u003eLove Is Here to Stay\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373161267406,"sku":"753088832918","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_861442f6-1752-49b5-88f4-149eb744b185.jpg?v=1617401896"},{"product_id":"stan-getz-joao-gilberto-getz-and-gilberto-analog-productions-45rpm-lp","title":"Stan Getz \u0026 Joao Gilberto - Getz and Gilberto - Analogue Productions 45rpm LP","description":"\u003cp\u003e\u003cstrong\u003e180-gram 45 RPM double-LP reissue — mastered from the original master tapes with the stereo channels correctly oriented for the first time\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe defining album of bossa nova: Stan Getz and João Gilberto, joined by Antônio Carlos Jobim and the unforgettable vocal debut of Astrud Gilberto on \"The Girl from Ipanema.\" For this Analogue Productions reissue the album was mastered as it was originally mixed to tape — correcting the reversed channels found on nearly every prior edition — and spread across four sides at 45 RPM for maximum resolution.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180-gram double LP, cut at 45 RPM\u003c\/li\u003e\n\u003cli\u003eMastered from the original analog master tapes with corrected channel orientation\u003c\/li\u003e\n\u003cli\u003eLabel: Analogue Productions (Verve)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eThe Girl from Ipanema\u003c\/li\u003e\n\u003cli\u003eDoralice\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003ePara Machucar Meu Coração\u003c\/li\u003e\n\u003cli\u003eDesafinado\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Three:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eCorcovado\u003c\/li\u003e\n\u003cli\u003eSó Danço Samba\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Four:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eO Grande Amor\u003c\/li\u003e\n\u003cli\u003eVivo Sonhando\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Acoustic Sounds","offers":[{"title":"Default Title","offer_id":39373162414286,"sku":"753088854514","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/products\/original_91fddd3d-1bcf-4bb8-b0b5-4273188bfde6.jpg?v=1617401942"},{"product_id":"albert-ayler-and-don-cherry-vibrations-lp","title":"Albert Ayler \u0026 Don Cherry - Vibrations - LP","description":"\u003cp\u003e\u003cstrong\u003e180-gram audiophile vinyl reissue, remastered and pressed at Pallas in Germany by ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in Copenhagen in September 1964, Vibrations is the second album by saxophonist Albert Ayler's free-jazz quartet, featuring Don Cherry on trumpet, Gary Peacock on bass and Sonny Murray on drums. Originally issued on the Freedom label (and also known as Ghosts), it returns here specially remastered for a 180-gram pressing.\u003c\/p\u003e\n\u003ch4\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e180-gram vinyl\u003c\/li\u003e\n\u003cli\u003eRemastered audiophile reissue, pressed at Pallas in Germany\u003c\/li\u003e\n\u003cli\u003eLabel: ORG Music\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTrack Listing\u003c\/h4\u003e\n\u003cp\u003eSide One:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eGhosts\u003c\/li\u003e\n\u003cli\u003eChildren\u003c\/li\u003e\n\u003cli\u003eHoly Spirit\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Two:\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eGhosts\u003c\/li\u003e\n\u003cli\u003eVibrations\u003c\/li\u003e\n\u003cli\u003eMothers\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Alliance","offers":[{"title":"Default Title","offer_id":39373162709198,"sku":"711574864713","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/5027\/0926\/files\/3852642.jpg?v=1732131786"},{"product_id":"chet-baker-chet-baker-crew-pure-pleasure-lp","title":"Chet Baker - Chet Baker \u0026 Crew - Pure Pleasure LP","description":"\u003cp\u003e\u003cstrong\u003e180-gram LP reissue mastered by Steve Hoffman and Kevin Gray — the complete July 1956 sessions expanded to all 14 tracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCut fresh from an extended European stay, Chet Baker \u0026amp; Crew gathers the trumpeter with Phil Urso (tenor sax), Bobby Timmons (piano), Jimmy Bond (bass) and Peter Littman (drums), with Bill Loughbrough's chromatic tympani lending several West Coast bop tracks an unmistakable Polynesian color. 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