Blood, Sweat & Tears — Bloodlines
Analogue Productions box set tells the story behind the groundbreaking horn band!
Four album 45 RPM set includes
Child Is Father To The Man
Blood, Sweat & Tears Self-Titled
Blood, Sweat & Tears 3
Blood, Sweat & Tears 4
In-depth essay by lead singer David Clayton-Thomas highlights booklet with rare photos
LPs mastered by Ryan K. Smith at Sterling Sound from the original master tapes
Quality Record Pressings plating by Gary Salstrom, pressed on 200-gram audiophile vinyl
Housed in a custom designed lift-off lid box
"There you have it! The first four BS&T records cut by Ryan K. Smith at Sterling Sound from the master tapes and pressed on 200g vinyl at QRP. I thought a 1A pressing of the first album couldn't be bettered but that was wrong. This one does. ... I did compare the second album here to the double 45 from ORG cut by Bernie Grundman from a copy of the master and it's somewhat warmer and softer, particularly in the mid-bass but I prefered this newest version. The other two (albums) are equally good compared to nothing because I don't have originals. ... That said, this boxed set gives you the first four albums packaged better than ever with gatefold jackets containing great photographs and as best as I can tell, also sounding better than ever as best as I can tell. Ryan K. Smith did a great job here for sure." Music = 8/11; Sound = 10/11 - Michael Fremer, AnalogPlanet.com. Read the whole review here.
David Clayton-Thomas landed in New York City in 1966, drawn from his native Canada to appear on the NBC network TV show "Hullabaloo" as a guest of fellow Canadian Paul Anka. Anka wanted a Canadian band to feature on the show and Clayton-Thomas fronted a jazz/rock band called The Bossmen — "we had the number one record in Canada at the time."
Clayton-Thomas returned to Toronto after the show but the creative scene in the Big Apple beckoned. He got a NYC gig playing guitar for John Lee Hooker — and in the funky clubs of Greenwich Village he met several founding members of what was to become a chart-dominating jazz fusion band with an utterly distinctive sound — Blood, Sweat & Tears.
For a brief period at the end of the 1960s and the start of the 1970s, Blood, Sweat & Tears, which fused a rock 'n' roll rhythm section to a horn section, stormed the pop charts. Clayton-Thomas joined this stellar group of musicians in 1969, bringing a handful of new songs as they delivered the monumental Grammy Album of the Year Blood, Sweat & Tears.
Now hear the music and read the complete story about how this legendary band succeeded, from the ultimate BS&T insider — David Clayton-Thomas himself! Bloodlines, from Analogue Productions captures the BS&T sound as never before, on four remastered LPs — Child Is Father To The Man, Blood, Sweat & Tears, Blood, Sweat & Tears 3 and Blood, Sweat & Tears 4. Each album was remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York, and each was plated and pressed on deluxe 200-gram heavyweight vinyl at our own Quality Record Pressings, maker of the world's finest-sounding LPs. The jackets - from Stoughton Printing - are top-of-the-line, old-style tip-on showcasing immaculately reproduced artwork. The whole set comes in a custom-designed deluxe slipcase.
For this special box set, David Clayton-Thomas was gracious enough to contribute a wonderfully-written essay telling the whole history of the band and its origins. The eight-piece band signed to Columbia Records and recorded Blood, Sweat & Tears' debut album, Child Is Father to the Man, which was released in February 1968. Cofounder Al Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, trombonist Dick Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Randy Brecker and Jerry Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made Blood, Sweat & Tears' self-titled second album, released in January 1969.
Blood, Sweat & Tears was a runaway
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